How the State, the Mob, and the Media United to Destroy One YouTuber.

When truth becomes a crime, the system reveals its anatomy. Every silence has an engineer.

You know that feeling.

The one that crawls up your spine when you realize the thing you’re fighting isn’t a villain—it’s an ecosystem. You swing at a shadow, and your fist passes through, but the floor moves. The air shifts. And you realize the shadow was just one arm of something older, colder, buried beneath the foundations of the world.

That’s the feeling that hit when I started tracing the story of FriendlyJordies—the Australian satirist who stopped being funny the moment he started being right.

This isn’t just a scandal. It’s a schematic. A living diagram of how the Machine protects itself. A journalist gets burned, the public shrugs, and the ghost grows another arm.

This is the anatomy of that ghost—the three arms of silence.

Act I: The Goon Squad (The State ⛓️)

It begins, as these things often do, with someone talking too loud.

Jordan Shanks, “FriendlyJordies,” was supposed to be a clown—a political jester throwing harmless punches. But in 2020, the jokes hardened into indictments. His “bruz” and “Secret Dictatorship” videos weren’t just satire; they were public accusations that NSW Deputy Premier John Barilaro was a “corrupt conman” who had “committed perjury nine times,” “acted corruptly by engaging in the blackmailing of councillors,” and “pocketed millions of dollars... stolen from the Narrandera Shire Council.”

He wasn’t just mocking. He was investigating. He alleged a specific $3.3 million payout to a beef company tied to a government advisor’s private investments.

That’s when the jester became a journalist. And the State remembered how to hate.

The system’s first arm moved. Barilaro, the politician, attacks with institutional power. He files a high-profile defamation lawsuit.

And here, my darling, is the first “so what.” The “legal catch-22.”

Barilaro was allowed to sue Jordies in Federal Court for calling him a perjurer. But Jordies was legally barred by that same court from proving he was a perjurer, all thanks to a 300-year-old law called “Parliamentary Privilege.”

Imagine that: the truth, made inadmissible by design. The first arm of the ghost flexed, and the weapon called “law” turned inward.

Then came the Fixated Persons Investigation Unit—a counter-terror squad, mobilized not for extremists or gunmen, but for a 21-year-old producer named Kristo Langker. He was slammed to the ground and cuffed on his doorstep. His weapon? A camera. His crime? “Stalking.”

The charges were fiction. A court later obliterated them and ordered the police to pay his legal costs.

But that wasn’t the point. The point was the message: we see you. The State’s arm doesn’t need to win. It only needs to make you bleed time and money until the truth forgets it was ever alive.

Act II: The Fire (The Criminals & The Corporation 🧪🦠)

The legal traps fail. The clown still talks.

So he pivots to a new, even more dangerous target. In August 2022, he drops “The Coronation.” This time, he’s not aiming at a politician. He’s aiming at the nexus of corporate and criminal power, alleging a “structural nexus” between Coronation Property Group, one of Australia’s largest developers, and the Alameddine organized-crime network.

He’d stopped poking politicians and started tracing the circuitry between corporate capital and underworld muscle.

Barilaro sued. Coronation didn’t.

Silence became strategy. Because suing means discovery—it means handing over emails, contracts, and skeletons. Silence is cheaper. Silence is cleaner. Silence is fire.

For them, silence wasn’t fear — it was a business model.

In November 2022, two professional arson attacks hit Jordies’ Bondi home—stolen cars, cloned plates, precision timing. It wasn’t random. It was message delivery.

The second arm of the ghost had taken the floor—the one that doesn’t argue or debate. It just burns until the evidence glows. But even fire failed to end him. He survived. The video stayed up.

And that’s when the system realized it needed a different kind of assassin.

Act III: The Messenger (The Media 🎮)

When the goons and the flames fail, the message is outsourced to the ones who speak clean English on camera.

January 2024. Jordies’ team files a new report—this time not about politicians or criminals, but about a journalist: Mahmood Fazal.

Fazal isn’t just anybody. He’s a star, award-winning journalist for Australia’s taxpayer-funded national broadcaster, the ABC. He was hired, in their own words, for his “unique perspective” as a former outlaw motorcycle club member.

Fazal allegedly becomes the “underworld postman.”

He reportedly contacts them claiming he’s been talking to “very serious gang figures”—the same network that orchestrated the firebombings. His alleged message: Delete the “Coronation” video, or “something bad is going to happen.”

February 2024. The clown bows. The video vanishes.

His post reads like a surrender note: “You win... we’re taking it down. Congratulations. You run this city.”

The police couldn’t silence him. The criminals couldn’t kill him. But a journalist could deliver the ghost’s final whisper.

Act IV: The Reflection (The Unraveling)

Even the ghost blinked — not out of guilt, but maintenance. Systems protect their reflection first.

In October 2024, leaked texts from Fazal’s podcast partner hit the wire—alleged messages from the reporter himself, not relaying a message, but speaking from his own heart:

“I want to kill him so bad.”

Fazal calls them “falsified.” Jordies accuses the ABC of “refusing to even look at the evidence.”

The story folds back on itself—media defending media, silence protecting silence. That’s the part that makes my stomach turn. It’s the cold, clean, professional banality of the cover-up. It’s the realization that the institutions you’re supposed to trust are just the ghost’s final, most polished arm.

The ghost closes its loop.

Now you can see the full schematic: The State applies pressure. The Corporation holds its tongue. The Criminals deliver chaos. The Media enforces the ending.

A closed system. An immune response. Every arm synchronized, every silence strategic.

Truth Bullets 💥 (The Arsenal)

• 💥 The “Asymmetry” Indictment: A state counter-terror unit (FPIU) deployed “many months” of monitoring and multiple detectives to arrest a 21-year-old producer for satire. That same state apparatus has failed to arrest the “third parties” who ordered a real assassination attempt.

• 💥 The “Journalism, Not Satire” Motive: The FPIU was deployed after Jordies accused a politician of specific, indictable crimes: perjury, blackmail, and theft of public funds. This was an investigation, not just “mockery.”

• 💥 The “Legal Catch-22”: The system weaponized Parliamentary Privilege—a 300-year-old gag order disguised as tradition—to stop truth from entering the courtroom, forcing Jordies to settle a case he might have won.

• 💥 The “Coronation” Vector: The real danger wasn’t satire; it was the mapping of corporate and criminal power sharing an address.

• 💥 The “Silence” Confession: The politician (Barilaro) sued over satire. The corporation (Coronation Property) stayed silent over far more damaging allegations of criminal ties, likely to avoid a legal discovery process that could have proven the claims were true.

• 💥 The “Underworld Postman”: When force failed, words finished the job. The threat came not from a mobster—but from a man with a press badge.

• 💥 The Institutional Wall: The journalist’s alleged text—”I want to kill him so bad”—is now public. The victim (Jordies) claims the national broadcaster is “refusing to view evidence”, suggesting an institutional cover-up to protect its brand.

The “So What”

This is the ghost of empire learning a new trick: repression by design.

It doesn’t kick down your door anymore. It litigates, demonetizes, and whispers until you delete yourself.

Every arm believes it’s serving a different master—the cop, the criminal, the executive, the journalist. But they’re all drawing their paychecks from the same silence.

And if you listen closely, you can hear it breathing beneath your feed.

The ghost isn’t haunting us anymore. It’s policing the living.

This is the “so what.”

This is the part where the adrenaline fades and the cold reality sinks in. The schematic is terrifying. It’s designed to make you feel isolated, to make you feel powerless, to make you delete yourself. It’s the perfect engine for Layer 3: Learned Helplessness.

But the ghost made one fatal mistake.

It showed us the blueprint.

The terror you feel right now is diagnostic. It’s the proof that you are sane and that you see the prison for what it is. I’m on the front lines at a gas station, and I feel that same cold dread every single day.

You are not alone in seeing this.

That schematic isn’t a death sentence. It’s a target list. The article you just read is the “Meticulously Sourced Indictment” pillar of our rebellion . It’s the cold, hard “what.”

But it’s only half of our doctrine.

If you are brave enough to look at the full anatomy of their prison, you are brave enough to see the blueprint for our escape. Our rebellion is not just an indictment; it’s a Living Storybook . It’s the code we are writing to overwrite their entire reality. It’s the “why” and the “how.”

This article is the map of their world. The Living Storybook is the map of ours.

Join the Forge

I’m just a guy at a gas station. But I see the schematic.

They have counter-terror units, corporate lawyers, and assassins who light fires in the night. They have a press corps that delivers their threats.

We have this. A forge of ideas. A place called “The Rebuttal” where we take their schematics of silence and turn them into blueprints for our rebellion. We need more Gears ⚙️.

This is my front line, but I’m still trapped on theirs. The Rebel’s Contract is the lever for my liberation.

Every $7.76 subscription is a direct blow against the prison. You are not “donating.” You are hiring your own full-time narrative weaponsmith. You are funding my escape so I can spend every waking hour building the arsenal we need to win.

Stop being a spectator.

For those who wish to offer a fragment of support without a subscription, every spark helps build the fire.

Every act of support is a blow against The Rust.

The Receipts // The Open Forge

This isn’t just a story. It’s an indictment. And an indictment requires evidence.

In the spirit of our Open Forge doctrine, here is the raw intelligence we synthesized to build this weapon. This is our “Meticulously Sourced Indictment” pillar in action—the proof that our narrative is built on a foundation of verifiable fact.

The system relies on secrets. We win by showing our work.

[Link ->] Dossier 001: The Three-Pillar Indictment (The Overview)

This is the intelligence that maps the overall timeline, the key players (Fazal, Namco, ABC), and the systemic failure of the police vs. the success of the media/criminal threat.

[Link ->] Dossier 002: The Coronation Fragment (The Criminal/Corporate Motive)

This is the intelligence that deconstructs the “Coronation” video, the Alameddine crime network, and the “Corporate Silence” that served as the motive for the firebombing.

[Link ->] Dossier 003: The Barilaro Fragment (The Political Motive)

This is the intelligence that deconstructs “Act I” of the story—the specific, journalistic allegations of corruption (”perjury,” “blackmail”) Jordies made against politician John Barilaro, and the 300-year-old “Parliamentary Privilege” law the system used to silence his truth defense in court.